The program aims to discuss the problematics of the “digitalization of art” from a critical perspective, in the attempt to contribute to the knowledge and the language of (critical) contemporary art in this particular field. It is particularly concerned about the future of art, and of art museums, in the context of the current political and technological changes. The title and the program of the event are yet to be elaborated in more details – please find the draft of the concept as I received from the organizers attached. (It could have been a more articulated document – they have promised a revision as soon as they confirm the list of participants.)
Hi there! I’m a bike messenger by day, aspiring actor by night, and this is my website. I live in Los Angeles, have a great dog named Jack, and I like piña coladas. (And gettin’ caught in the rain.)
…or something like this:
The XYZ Doohickey Company was founded in 1971, and has been providing quality doohickeys to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.
– Dispossession by numbers: 2017/10/70/100, a research paper / essay published in the last year’s issue of Red Thread, December 2017: http://red-thread.org/en/dispossession-by-numbers-2017-10-70-100
– The Production of Raum / The Production of Space, a textual introduction and a video essay for Der Fahrender Raum project in Munich, published March 2019: http://www.fahrender-raum.de/flugschrift-online/flugschrift-3/the-produktion-of-raum
– The talk at the opening of MixTape exhibition, Zeitgeist Gallery, Nashville, November 2018: https://www.facebook.com/zeitgeistnashville/videos/2218787691724618